Every time I go to my local coffee shop to write, I'm surrounded by a sea of laptops and netbooks, many with open Word or Final Draft documents containing those unmistakable text "shapes" known collectively as a screenplay: wide blocks of description, narrow blocks of dialogue. From a distance it looks like Tetris being played by someone who has no idea what the object of the game is.
Similarly, I'm fairly certain that these screenplays are being written by people who have no clue how to tell an original story. Here's my guess of how these hundreds of screenplays living on hard drives across the city break down:
- 30%: 30 Rock spec scripts (most, presumably, not even close to the show's high standard of comedy)
- 9%: rewrites of films that have already been made. Yes, believe it or not, there is a sub-genre of "writer" that insists on rewriting scripts of films they didn't like. I know of someone who, and I quote from his blog, "I spent a few years in geek hell compulsively re-writing this movie [Star Wars: The Phantom Menace], literally, and no good came of it.' (Well, duh!)
- 30%: sci-fi/superhero movies
- 20%: horror/slasher/supernatural movies
- 10%: teen sex comedy movies
- 1%: solid, original scripts
Well, Creative Types, the answer is "No". No, I won't read your Zombie Batman vs. Vampire Spider-Man script! No, don't send me your pitch for the next Star Trek series... What? Cloverfield vs. Aliens?! You do realize that "Cloverfield" refers to an area of Central Park and isn't the name of the monster, don't you? And you? You're writing a movie about people who fall in love over Twitter?
Listen, just forget I said anything, and I'll try not make eye contact with you while you're out writing your Masterpiece. Deal?
